Process is very important, but process alone can often end up being too much of a “period piece novelty.” And I wanted to avoid that which was easy for me to do because I‘m not a process artist. I had started building up layers of paint using just a mixture of latex, gesso and what […]

After a while it became very obvious that not only was there a great deal of potential there for drawing, there was a great deal of potential there for painting. And that’s really the simple way in which the work I have been doing in drawing and painting for the last 8 years was generated. […]

No one would have, even to this day, conceived of the question: “Is drawing dead?” That would never ever occur to someone. So the question then became: What is it that happens when we go from drawing to painting that so many people seem anxious to kill? And the best that I could come up […]

My own personal, most dominate, influence as an American painter from the beginning has always been de Kooning and to this day I don’t think I have ever gotten over “Pink Angels” simply for the way in which de Kooning uses line as an articulating, overlapping depth element and for the way he plunges that […]

Like we said in Part II of our Annual Recap, what stayed with us most from 2013 was mostly small and mostly quiet, meditative works that brought us back to the pleasures of long looking. Here’s a shortlist of the galleries and museums we felt did right by riding the counter-current, giving us intimately scaled […]

Happily, the best of 2013 was not the biggest. Happily, because art–and the market that seems to drive it–has trended toward the big: the big wall-power painting and print, the gigantor sculpture; and the big spaces and names that can accommodate. But what stayed with us most from 2013 was mostly small and mostly quiet, […]

We started Tilted Arc back in October because we wanted to create a conversation around ideas of practice and intention. We are so deeply grateful to the artists who have contributed fresh and often challenging insight into how art and literature get made, and the essential place that materials, memory, perception and process claim in […]