A limited palette lends itself to the method of working from inside out: from the center of a color scale towards its poles. A painting starts within a narrow range of color-values and expands outwards, as I grope to overcome the limitation of the resources and broaden the range of tones, temperatures and color sensations. […]

Def Louise Nevelson ‘Untitled.’ 1981. © Louise Nevelson Foundation, courtesy Bruce Silverstein Gallery, New York. Remnants: Louise Nevelson & Aaron Siskind 19 September – 2 November ’13 Bruce Silverstein 535 West 24th Street New York, NY 10011 212.627.3930 Thirty-two works by Nevelson and Siskind, most of them from early in the artists’ careers, are now […]

Different from his anyway knock-out show at Pace’s uptown gallery in 2010, Robert Ryman: Recent Paintings at Pace on 25th Street is all the more knock-out because daylight is let in. And this being Ryman, light–its kind and quality–is the whole shebang. Here, natural light makes the six small oil on cotton canvas paintings (2010-’11) […]

Aaron Siskind’s photographs from the post-Photo League years feel at first crowded with big, familiar names: Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman. But Siskind, who understood that paint is paint and the camera is different, made pictures that remain wholly his own. Never mind the pervasive sense of Abstract Expressionist gesture in […]

The book that evolved from the discovery of these prints, “Eduard et Voulangis,” is one of the finest samples of an artist-in-residence, in this case, the artist’s own residence in Voulangis, just outside of Paris. Steichen would use this time that Greenberg called “a great artist’s most contemplative period” to evaluate, create, and innovate. Steichen […]

“Once a book is written, I feel that I have said what I had to say… So I decide that it might be best for me to do something else. Lately, this “something else” has been the making of collages…which now seems to have become a fixed daily activity, and one that I have no […]