Whereas I feel the photographs have a propensity to document, the paintings have no such obligation and as such they use the information in the photographs quite freely and make whatever is needed of the images. There is much re-drawing of the space, re-articulating, such as stepping back to get a slightly more distant view, […]

Jessica Auer Brett Baker Roger Ballen Andrew Baren Steven Baris Uta Barth Paul Behnke Richard Benari Siri Berg Katherine Bradford Farrell Brickhouse Patrick Burns Jennifer Colten Clayton Colvin Guy C. Corriero Michael David Emilia Dubicki Sharon Etgar Alan Feltus Katie Ford Nobu Fukui Marianne Gagnier Ilya Gefter Ellen Goldsmith Brenda Goodman Elizabeth Gourlay Gary Green […]

Because it’s really that place which is unreachable, or mysterious, at which the poem becomes ours, finally… A personal note. For all of what seemed, between 2001 and 2007, the ugliest of hate feuds, I turned to four poets—not for solace, but for connection. I was in Jerusalem then, a city that too often gives […]

The exhibition is a stunner, mostly because it’s DeFeo’s unremitting investigatory impulse and deft handling of (sometimes-) antagonistic media — rather than the handful of forms and objects that became both cast and crew in her work — that’s really the subject here. Jay DeFeo, “Untitled (White Spica),” 1973 Gelatin silver print 8 3/4 x […]

I feel the work in my body. I feel it. I don’t know how to exactly express that, how to translate that into language. But most people confuse emotions in art with sentiment, and I’m out to crack that one. Dorothea Rockburne, “Scalar,” 1971. © 2014 Dorothea Rockburne / Artists Rights Society (ARS), New York. […]

How can one, with any seriousness or sense of commitment, create a painting and take it through its life, and it doesn’t involve a loss as you develop it. Ruth Miller Forge, “Enamel Jug Still Life,” 2001 (reworked 2013), oil on linen © Ruth Miller Forge. Courtesy the artist and New York Studio School. Photo: […]

…criticism has smacked me against the head with recognition, racked my practice with doubt, saddled my movements with embarrassment, and struck me on the ass with a hot poker of jealousy and desire. Jasper Johns, “The Critic Sees,” 1964, sculpmetal over plaster with glass © Jasper Johns/VAGA, NY, NY. Under Fair Use Guidelines. spacer “If […]

“…I’m very interested in how sculptural the thing is, and how things that are sculptural affect the environment in which they are seen. It’s light, it’s architecture–these are the things that interest me now.” Siri Berg, “It’s All About Color,” 2011-2013 (9 panels, 20 x 104″), oil on canvas ©Siri Berg. Image courtesy the artist […]

“…a space opened up behind that paper, a space—who knows how wide—between the paper and the wall, inaccessible but hinted at by the tear. It occurred to me that this photograph was…” Frederick Sommer, “Max Ernst, 1946.” 1946. Gelatin silver print. © Frederick & Frances Sommer Foundation. Image courtesy of Bowdoin College Museum of Art, […]

…there’s also no question that locking Mr. Dial’s work into the “outsider” narrative diminishes it, turning it into artifact instead of art–-into evidence of his struggle against the often brutal and at least unforgiving injustice he was met with daily. Thornton Dial, “Tiger Likes The Lady To Stand By.” 22 x 30 inches; mixed media […]