Paint is so mutable, the moment evanescent, the light flickers thru catching form and flotsam, revealing moments of specificity in almost near random ways, it will change in the next blink of the eye. Farrell Brickhouse, The Sparrows (Ship Of Fools Series), 2014. Oil on canvas, 22 x 28 in. © Farrell Brickhouse. Image courtesy […]
Continue readingJessica Auer Brett Baker Roger Ballen Andrew Baren Steven Baris Uta Barth Paul Behnke Richard Benari Siri Berg Katherine Bradford Farrell Brickhouse Patrick Burns Jennifer Colten Clayton Colvin Guy C. Corriero Michael David Emilia Dubicki Sharon Etgar Alan Feltus Katie Ford Nobu Fukui Marianne Gagnier Ilya Gefter Ellen Goldsmith Brenda Goodman Elizabeth Gourlay Gary Green […]
Continue readingInstead, sending my eyes closer into the grip of the perceptual moment is what I’m after… Stuart Shils, The Residue of Giotto After Imaginary Battles, Acrylic on Archival Digital Photograph, 2014, 6×6″. Image courtesy the artist. What really matters most to me is filling my eyes with joy when riding my bicycle around Philadelphia (the […]
Continue readingNot Ideas About the Thing but the Thing Itself*
Notes on Criticism
…criticism has smacked me against the head with recognition, racked my practice with doubt, saddled my movements with embarrassment, and struck me on the ass with a hot poker of jealousy and desire. Jasper Johns, “The Critic Sees,” 1964, sculpmetal over plaster with glass © Jasper Johns/VAGA, NY, NY. Under Fair Use Guidelines. spacer “If […]
Continue reading…there’s also no question that locking Mr. Dial’s work into the “outsider” narrative diminishes it, turning it into artifact instead of art–-into evidence of his struggle against the often brutal and at least unforgiving injustice he was met with daily. Thornton Dial, “Tiger Likes The Lady To Stand By.” 22 x 30 inches; mixed media […]
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