Each of us will have a unique compilation of remembered sensations and it is how this material shapes our work that will distinguish my paintings from those of the next painter. We really don’t have all that much control over what we produce when we work from within. What unfolds on the canvas evolves slowly. […]

Each of us will have a unique compilation of remembered sensations and it is how this material shapes our work that will distinguish my paintings from those of the next painter. We really don’t have all that much control over what we produce when we work from within. What unfolds on the canvas evolves slowly. […]

Jessica Auer Brett Baker Roger Ballen Andrew Baren Steven Baris Uta Barth Paul Behnke Richard Benari Siri Berg Katherine Bradford Farrell Brickhouse Patrick Burns Jennifer Colten Clayton Colvin Guy C. Corriero Michael David Emilia Dubicki Sharon Etgar Alan Feltus Katie Ford Nobu Fukui Marianne Gagnier Ilya Gefter Ellen Goldsmith Brenda Goodman Elizabeth Gourlay Gary Green […]

No one would have, even to this day, conceived of the question: “Is drawing dead?” That would never ever occur to someone. So the question then became: What is it that happens when we go from drawing to painting that so many people seem anxious to kill? And the best that I could come up […]

We started Tilted Arc back in October because we wanted to create a conversation around ideas of practice and intention. We are so deeply grateful to the artists who have contributed fresh and often challenging insight into how art and literature get made, and the essential place that materials, memory, perception and process claim in […]

Each painting emerges from recollections of places seen and imagined, music and conversations heard, emotions, expectations and anticipation — all of it gets transferred onto the surface through color and structure. Painting is pulling stuff out of mental storage and adding to the supply at the same time. REW/FF: New Work by Emilia Dubicki 30 […]