To aim for a more complete expression of reality is not at odds with abstraction. Reality in abstract painting exists where what is seen impacts the body physically… Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880-81 (Phillips Collection, Washington D.C). Included under the fair use exemption. (Click to enlarge) Renoir’s vision for painting was as […]

I had never before or after felt this anxiety so intensely. The jump would mean letting go of that precious section and I would have to TRUST that something else would appear — and that something would resolve and complete the painting. Brenda Goodman, Breakthrough, 1985, oil on canvas, 60 x 84 in. All images: […]

I felt then, and still feel now, that the best art is internally complex. Even though my technique at the time was essentially reductive (flat colors, clean edges), I was trying my best to avoid simplicity. Minimalism was not, as I saw it, boisterous or contradictory enough to be of life. Maximalism was my chosen […]

Jessica Auer Brett Baker Roger Ballen Andrew Baren Steven Baris Uta Barth Paul Behnke Richard Benari Siri Berg Katherine Bradford Farrell Brickhouse Patrick Burns Jennifer Colten Clayton Colvin Guy C. Corriero Michael David Emilia Dubicki Sharon Etgar Alan Feltus Katie Ford Nobu Fukui Marianne Gagnier Ilya Gefter Ellen Goldsmith Brenda Goodman Elizabeth Gourlay Gary Green […]

The exhibition is a stunner, mostly because it’s DeFeo’s unremitting investigatory impulse and deft handling of (sometimes-) antagonistic media — rather than the handful of forms and objects that became both cast and crew in her work — that’s really the subject here. Jay DeFeo, “Untitled (White Spica),” 1973 Gelatin silver print 8 3/4 x […]